Category: Black Music Roots
Thank God: An Aframerican Docu-Opera — Part 3
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"The music of the black religious experience," contends Tony Brown, host of the televised "Journal" that bears his name, "is the primary root of all music born in the United States." (806)
Songs For The Spirit — Part 2
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Part I & II The popularity of nihilistic and satanic rock music has been blamed for the rise of violence among American youth. The influence of music in American culture is immeasurable. One case in point is th...
Martha Reeves In A New Galaxy
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MOTOWN. I was in Detroit. Where were you and what were you doing when you first heard classics “Dancing in the Street,” “Jimmy Mack” and “Heat Wave.” Martha Reeves was one of Motown’s singing icons at the peak of her ...
Songs For The Spirit — Part 1
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Part I & II The popularity of nihilistic and satanic rock music has been blamed for the rise of violence among American youth. The influence of music in American culture is immeasurable. One case in point is th...
Stevie Wonder Plays His Own Keys of Life
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STEVIE WONDER: How did a little Black boy, blind since birth, become one of music's greatest superstars and a cultural icon? Stevland Morris, better known as Stevie Wonder joins Tony Brown for this revealing interview...
The Sister Souljah Controversy: Q&A with Tony
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It all began when The Washington Post quoted rap performer Sister Souljah as saying: “If Black people kill Black people every day, why not have a week and kill White people.” (1523)
Lionel Hampton: A Grace Note
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Musician extraordinaire Lionel Hampton died on August 31, 2002, at the age of 94. This program chronicles his legacy as a musician, statesman, humanitarian and close friend of the Bush family. Tony Brown also remember...
Lionel Hampton: Gladys Houses
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TonyBrownsJournal.com presents musician extraordinaire Lionel Hampton the businessman who established two record labels and his own publishing company, founded the Lionel Hampton Development Corporation and built lo...
History of Blacks In Radio
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The pages of radio history are turned back to examine the treatment of Blacks during radio's Golden Age. (319)
